Felix’s Room is a digital hybrid theatre production which reconstructs the life of Felix and Erna Ganz after their imprisonment in a so-called ‘Judenhaus’ in 1942. The Room is simultaneously prison and memory palace: by means of projected holographic effects, Felix and Erna fill the room with ghosts of exuberant parties and journeys to far-off lands, but the proximity of Nazi threat always lingers.
You could say: high-end playfulness. But it can do much more than a normal stage set or a video, which in the best moments becomes a phenomenology of perception: The music coagulates into a flickering, the oboe blows a disparate melody, the colours disappear from the scans, the performance becomes a ghostly symbol of memory, shadow, chimera, whatever pops into your head when you try to remember. In these moments, ‘Felix’s Room’ is an absolute masterpiece, technically astounding
ScanLAB co-created and co-directed Felix’s Room, collaborating with the Komische Oper Berlin, the Berliner Ensemble, and writer Adam Ganz to devise new digital narrative forms at the intersection of theatre, music, and technical innovation. The work uses projected holographic effects and virtual sets created using high-resolution 3D scans to transport the audience into the life of Felix and Erna Ganz.

A chest of drawers and a sketched floor plan are all that survives of the single room in a so-called “Jewish House” in the Kaiserstraße in Mainz. Felix Ganz and his wife Erna were confined there for a year after they were evicted from his mansion overlooking the Rhine. His life as an international businessman is over, his home has been stolen, his children have escaped. Now his engagement with the world is limited to letters, the sounds of neighbours and his view of the Gestapo Headquarters across the street.
The production is a kind of requiem, a musical journey into virtual reality.


As touching as it is oppressive!

“Felix’s Room” is a co-production of Komische Oper Berlin and Berliner Ensemble in cooperation with ScanLAB Projects.
The co-production “Felix’s Room” is part of the cooperation project “Spielräume!”, funded by the Kultur Digital program of the German Federal Cultural Foundation.
Funded by the Federal Government Commissioner for Culture and the Media.
The production is supported by the international theatre company Complicité and StoryFutures, the National Centre for Immersive Storytelling in Great Britain.
Credits:
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Felix - Veit Schubert
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Erna - Alma Sadé
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Olga - Julia Domke
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Younger Adam - Johannes Dunz
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Adam - Adam Ganz
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Concept/Direction - Adam Ganz & ScanLAB Projects
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Writer - Adam Ganz
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Creative Director - Matt Shaw (ScanLAB Projects)
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Executive Producer & Associate Director - meriko borogove (ScanLAB Projects)
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Associate Director - James Yeatman
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Associate Director - Max Lindemann (Berliner Ensemble)
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Creative Producer - Anetta Jones (ScanLAB Projects)
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Lead Visual Artist - James White (ScanLAB Projects)
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Composer / Conductor - Christoph Breidler (Komische Oper Berlin)
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Composer - Tonia Ko (Supported by StoryFutures)
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Sound Designer - Benjamin Grant
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Costume & Stage Assistant - Noemi Baumblatt (Berliner Ensemble)
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Head of Lighting - Hans Fründt (Berliner Ensemble)
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Dramaturg - Karolin Trachte (Berliner Ensemble)
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Dramaturg - Julia Jordà Stoppelhaar (Komische Oper Berlin)
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Visual Artist - Nicky Ovidiu Baiculescu (ScanLAB Projects)
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Project Lead - Sabrina Schmidt (Berliner Ensemble)
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Project Lead - René Kalauch (Komische Oper Berlin)
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Production Assistant - Lara Yilmaz
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Vocal Coach - Peggy Marmuth (Komische Oper Berlin)
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Showrunner & Stage Manager - Kristina Seebruch (Berliner Ensemble)
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Technical Production Management - Fabian Menzel (Berliner Ensemble)
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Consultant Producer - Tim Bell (Complicité)
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Production Manager - Emilia Clark (ScanLAB Projects)
Archive courtesy of:
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Adam Ganz & the Ganz Family
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Sandra Lipner & the Dyllick-Brenzinger Family
Orchestra
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Oboe - Tjadina Wake-Walker, Ryoichi Masaka
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Clarinet - Alexander Glücksmann, Tilo Morgner
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Bass Trombone - Carsten Meyer, Daniel Holthaus
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First Violin - Stefan Adam, Freia Schubert
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Second Violin - Melinda Watzel, Volker Friedrich
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Viola - Anton Loginov, Julia Lindner de Azevedo Conte
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Cello - Felix Nickel, Christian Tränkner
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Double Bass - Jörg Lorenz, Frank Lässig
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Piano - Christoph Breidler
Can be heard in sound recordings - Nina Bruns, Jonathan Kempf, Peter Moltzen, Tilo Nest (Berliner Ensemble)
As well as - Fina Bockemühl and Johannes Voermans (Childrens’ choir of the Komische Oper Berlin)
Thanks to:
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The Ganz Family
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Ulla Maibaum
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Natalie Neumann
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Sandra Lipner
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Simon McBurney (Complicité)
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Amber Massie-Blomfield (Complicité)
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James Bennett (StoryFutures)
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Dr Birgit Heide (Landesmuseum)
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Gernot Frankhauser (Landesmuseum)
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Sarah Smyth (StoryFutures)
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Amanda Murphy (StoryFutures)
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Sarah Brown (StoryFutures)
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Bryce Lease (Central School of Speech & Drama)
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Tamzin Griffin
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Krista Vuori
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Taryn Surratt
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Wai Sum Leung
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Maisie Stewart
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Ollie McLellan
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Will Trossell
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Ilan Pdahtzur
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School of Performing and Digital Arts at Royal Holloway University of London
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Deutsches Zentrum Kulturgutverlüste
