FRAMERATE: Desert Pulse is a portrait of Phoenix and the Sonoran Desert. Commissioned by Desert Botanical Garden in Phoenix, Arizona, the exhibition opened in October 2025 and runs through May 2026 with four large-scale, digital installations nestled amongst the cacti-filled garden, a multi-channel exhibition in a newly-built contemporary gallery space and a gallery to glimpse behind-the-scenes.
We invite you to see and feel this desert city in a way that is impossible with traditional cameras or with your naked eye. Desert Pulse observes vast landscape moments and the intimate breath of cacti. We explore the Phoenix cityscape, waterways, and the Garden’s world-renowned collection. The artwork shines new light on the stoic, beautifully slow life of cacti revealing their rhythmic growth, heliotropic twists, the sudden eruptions of colour that pierce the seeming stillness.
Here, humanity’s beautiful ingenuity and devastating impact share the frame with the desert’s fierce resilience and quiet splendour. We bring our tools and craft to bear witness, creating an invitation to pause, observe, and imagine. These artworks ask you to join us in a moment of reflection to see, to feel, and to hope.
Enquire about presenting this artwork
Press: New York Times | Financial Times | Southwest Contemporary | Cool Hunting
Photo credit: Rick White-Pickett
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FRAMERATE: Desert Pulse ‘Horizon | Imprint’
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365 days of LiDAR data, pointcloud animation, single channel video, composed audio
Photo credit: Rick White-Pickett
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FRAMERATE: Desert Pulse ‘Calyx’’
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93 days timelapse photogrammetric data, pointcloud animation, single channel video, composed audio
Photo credit: Rick White-Pickett
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FRAMERATE: Desert Pulse ‘Elsewhen’
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365 days of LiDAR data, pointcloud animation, single channel video, composed audio
Photo credit: Rick White-Pickett
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FRAMERATE: Desert Pulse ‘Present Echoes’
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365 days of LiDAR data, pointcloud animation, two-channel video, composed audio
Photo credit: Rick White-Pickett
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‘FRAMERATE: Desert Pulse’
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365 days of LiDAR data and 93 days timelapse photogrammetric data, pointcloud animation, multi-channel video, spatial audio
Photo credit: Rick White-Pickett
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‘FRAMERATE: Desert Pulse’
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365 days of LiDAR data and 93 days timelapse photogrammetric data, pointcloud animation, multi-channel video, spatial audio
FRAMERATE: Desert Pulse - Artist Statement
FRAMERATE: Desert Pulse is a portrait of Phoenix and the Sonoran Desert: a flood of precisely engineered pointcloud poetry - data driven and crafted with intuition. It is our record, our response, and our invitation to bear witness to this landscape, and to the natural and human processes that challenge and sustain life here.
The work operates as both mirror and microscope. We move through time via repetition, frequency and speed; with detail and perspective we journey through space. At moments we shrink to the scale of an insect, at others we drift like clouds. These shifting vantage points expose and hold space for multiple truths: about our species’ devastating impact and wonderful creativity, and about the resilience and ingenuity of the natural world.
ScanLAB are visitors here, grateful for four years of exploration and research in this region. Desert Pulse is a reflection through our lens - it is also an invitation to see through your own. We offer a space for considering, honouring, and sharing perspectives - an opportunity for new frequencies of attention, individually, and in community.
Our studio values collaboration; this work is no exception. Local wisdom from scientists, farmers, and conservationists shaped our explorations and informed the 34 sites scanned across the valley. Our music incorporates Sonoran field recordings and the internal bioelectrical sounds discovered by mic’ing cacti themselves. Five dedicated Phoenix-based photographers joined our team, scanning the desert every single day, for an entire year. In London, botanists trusted us with their knowledge and specimens; we built robotic camera rigs in climate-controlled chambers in our studio, tracing every delicate flowering petal and spine with precision..
The result is terabytes of data that represents new ways of seeing and sensing. We find traces and imprints - echoes of coexistence, creation, and destruction. We measure and acknowledge the traces we leave in making this work.
In the space between a saguaro’s century-slow growth and an explosive Echinopsis bloom, between ancient aquifers and tomorrow’s suburbs in America’s hottest city, we see the Sonoran Desert alive and dense with adaptation. We see repeating human issues that unfold in our FRAMERATE works created at home and around the world. We are a part of this rhythm. We contribute to the cacophony, we are in sync, and we catastrophically collide with the beating pulse of our planet.
Photo credit: Rick White-Pickett
In October 2023 five Phoenix-based photographers joined our team, extending their practice to include 3D scanning. They traversed the desert every day for an epic, year-long series of scans that form the backbone of our time lapse artwork. In London, we simultaneously built robotic camera rigs in climate-controlled chambers, meticulously navigating around flowering cacti, observing the unfolding of every delicate petal and spine. We have been exploring the hundreds of terabytes of data gathered, inventing entirely new ways to glimpse into our scans and unearth the stories within.
A behind-the-scenes look at the making of FRAMERATE: Desert Pulse
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An artwork by ScanLAB Projects
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Commissioned by Desert Botanical Garden, Phoenix
Credits:
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Lead Artists - Matt Shaw | William Trossell
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Executive Producers - Matt Shaw | William Trossell | meriko borogove | Anetta Jones
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Lead Producer - Anetta Jones
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Composer & Sound Designer - Pascal Wyse
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Project Lead & Creative Technology Engineer - Tom Brooks
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Project Designer - James White
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Lead 3D Scan Technical Artists - Charles Darr | Rick White-Pickett | Kyleif Cade | David Blakeman | Tom Brooks | Kunal Lodhia
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Senior Pointcloud Artists - Kunal Lodhia | Nicky Ovidiu Baiculescu
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Pointcloud Artist - Mie Eusebi
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Technical Developer - Jacques Pillet
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Production Manager & Sustainability Lead - Emilia Clark
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Technical Producer & Creative Consultant - Sara Simon
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Spatial Audio Production - Tony Myatt
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3D Scan Technical Artist - Shannon Swain
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Location Managers - Alan Benoit | Anthony Wallace
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Researcher - Anthony Wallace
Botanists & Scientific Advisors:
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Daniel Jackson (Ottershaw Cacti)
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Jo Jackson (Ottershaw Cacti)
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Raul Puente-Martinez (Desert Botanical Gardens)
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Dr. Kimberlie McCue (Desert Botanical Gardens)
Additional Contributors:
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Additional Wildlife Sound Recordings - Chris Watson
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Additional Sound Design - Dan Jackson
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Plant Biodata Recording - Helen Anahita Wilson
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Making Desert Pulse Executive Producer - meriko borogove
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Making Desert Pulse Producer & Director - Anetta Jones
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Making Desert Pulse Videographer - Ruben Tinoco
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Making Desert Pulse Additional Videography - Max Thurlow
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Making Desert Pulse Editor - Sam Coffey
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Making Desert Pulse Sound Design - Brain Audio
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Social Media - Jane Faram
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Press - Pelham Communications
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Fabrication & Installation - Ian Coyne
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LED Screen Production - AG Productions
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Audio Production - Clearwing
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Structural Engineer - Bakkum Noelke
Special Thanks to:
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Rivian | CoSTAR National Lab | Tonto National Forest Service | McDowell Sonoran Preserve | Johnson-Stewart Landfill | Desperado Dairy | Arizona Diamondbacks | LM Hancock Farm | Lucky Boy Diner | Pavilions at Talking Stick | Happy Trails ATV | Ottershaw Cacti | FARO
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Elaine McGinn (Desert Botanical Gardens)
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Laura Spalding-Best (Desert Botanical Garden)
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Hillary Hirt (Desert Botanical Garden)
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Ashley Quay (Desert Botanical Garden)
Photo credits: ScanLAB Projects
Photo credits: ScanLAB Projects
Photo credits: ScanLAB Projects
Photo credits: ScanLAB Projects
Photo credits: ScanLAB Projects